Iacopo Benincampi

Recensione a: M.B. Guerrieri Borsoi (a cura di), Le arti a Frascati dall’Antichità al Settecento, Roma, Edizioni Tored 2021, pp. 224

Art

Review:

This submission presents a clear bibliographic entry for a book review, "Recensione a: M.B. Guerrieri Borsoi (a cura di), Le arti a Frascati dall’Anti...

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Gianluigi Mangiapane, Valentina Sant

Periferie esistenziali. L’innovazione artistica del flusso di coscienza

Art

Attraverso una collezione dell'Università di Torino, composta da opere realizzate da pazienti psichiatrici tra Ottocento e Novecento, si ripercorre la...

Review:

Questo saggio si propone di esplorare il significativo percorso dell'arte prodotta in contesti psichiatrici, tracciandone l'evoluzione da semplice ogg...

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Edoardo Maggi

Il fascino della Campagna romana: iconografie fotografiche e scenari pittoreschi tra fine Ottocento e primo Novecento

Art

  Il presente articolo intende esaminare i principali temi e motivi figurativi che caratterizzarono la produzione fotografica relativa alla Campa...

Review:

The article, "Il fascino della Campagna romana: iconografie fotografiche e scenari pittoreschi tra fine Ottocento e primo Novecento," presents a highl...

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Sarah Grandin

A Conversation with Andaleeb Badiee Banta, Curator of Making Her Mark: A History of Women Artists in Europe, 1400-1800

Art

Review:

The article, titled "A Conversation with Andaleeb Badiee Banta, Curator of Making Her Mark: A History of Women Artists in Europe, 1400-1800," signals...

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Elena Emma Sottilotta

Paola Cortellesi’s Magic Spell: Domestic Violence and Fairy-Tale Subversion in C’è ancora domani (2023)

Art

Paola Cortellesi’s C’è ancora domani (2023) portrays happiness and misery within the confines of domestic life, giving prominence to the themes of gen...

Review:

This paper presents a highly pertinent and engaging analysis of Paola Cortellesi’s acclaimed film, *C’è ancora domani (2023)*, interpreting it as a su...

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Pingkan Rositawati, Sheyra Silvia Siregar, Dian Yuni Pamuji

Analysis of Chinese Culture in the Film I Am What I Am (2021) by Sun Haipeng Using Semiotic Roland Barthes

Art

This article discusses the analysis of Chinese culture in the film I Am What I Am (2021) directed by Sun Haipeng, using semiotic Roland Bar...

Review:

This article proposes a pertinent and timely analysis of Chinese culture within the critically acclaimed film *I Am What I Am (2021)*, leveraging the...

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Various Contributors

Film Review

Art

The Passion of the Christ (Director Mel Gibson 2004)

Review:

This submission, titled "Film Review," presents only the subject of the review, "The Passion of the Christ (Director Mel Gibson 2004)," within its abs...

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ALIF RINDAR CAHAYA AHKBAR INDARTO

PERAN FOTOGRAFI DOKUMENTER DALAM MELESTARIKAN BATIK

Art

Tujuan penelitian ini adalah untuk mengetahui peran fotografi dalam pelestarian budaya batik. Fokus penelitian ini adalah untuk menggali fu...

Review:

The paper, "PERAN FOTOGRAFI DOKUMENTER DALAM MELESTARIKAN BATIK," outlines a highly relevant and timely exploration into the strategic utility of docu...

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Nirmala Dewi Putri Nirmalasari

Poret Fotografi Ekspresionisme: Mengekspresikan dalam bentuk Gambar

Art

Potret Fotografi Ekspresionisme adalah penerapan Gerakan artistic ekspresionisme pada fotografi, gaya yang dapat berisikan berbagai ekspres...

Review:

This abstract introduces a potentially fascinating topic: the application of Expressionist principles to portrait photography, termed "Potret Fotograf...

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Moch. Amrizal Firdaus

Eksplorasi Penggunaan AI sebagai Medium dalam Karya Unsupervised oleh Refik Anadol

Art

Penelitian ini mengeksplorasi penggunaan Kecerdasan Buatan (AI) sebagai medium dalam karya Unsupervised oleh Refik Anadol, yang menggunakan...

Review:

This paper, "Eksplorasi Penggunaan AI sebagai Medium dalam Karya Unsupervised oleh Refik Anadol," presents a timely and pertinent investigation into t...

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