Author

I libri-scultura di Wanda Nazzari

Introduction

I libri-scultura di wanda nazzari. Scopri i libri-scultura dell'artista Wanda Nazzari dagli anni '90. Un'analisi della sua ricerca artistica, materiali, scrittura incisa e installazioni.

Abstract

L'articolo è dedicato ai libri-scultura realizzati dall'artista Wanda Nazzari a partire dagli anni Novanta del secolo scorso. Nell'ambito della vasta produzione dell'artista cagliaritana il genere si configura come centrale nella ricerca caratterizzata da una prevalente attenzione al lavoro manuale e artigianale.  Il testo si sofferma soprattutto sui materiali utilizzati dall'artista e sulle peculiarità della scrittura incisa, facendo riferimento sia ai singoli pezzi scultorei che alle installazioni pensate per musei o luoghi legati al sacro.

Review

The article "I libri-scultura di Wanda Nazzari" promises a focused and insightful exploration into a distinctive aspect of contemporary art practice: the creation of book-sculptures. By dedicating attention to Wanda Nazzari's significant body of work in this genre, originating from the 1990s, the paper positions this artistic output as central to her broader research. This immediate framing establishes the importance of the subject matter, suggesting that these hybrid objects are not mere curiosities but fundamental expressions within the artist's creative journey. The concept of the "book-sculpture" itself is intriguing, bridging literary and visual arts with a strong tactile dimension. The abstract indicates a clear analytical approach, primarily concentrating on the materials employed by Nazzari and the unique characteristics of her "incised writing." This detailed focus on materiality and technique is a considerable strength, offering a grounded examination of the artist's craft and the specific aesthetic choices that define her work. Furthermore, the scope extends beyond individual pieces to encompass installations designed for varied contexts, from traditional museum settings to sacred spaces. This breadth suggests a comprehensive analysis that considers both the intrinsic qualities of the objects and their interaction with the environments they inhabit, underscoring the artist's prevalent attention to manual and artisanal labor. Overall, this article appears to be a valuable contribution to scholarship on contemporary Italian art, specifically addressing an artist whose work straddles multiple disciplines. By delving into the specificities of Nazzari's book-sculptures, the paper offers a rich opportunity to understand the interplay between form, content, and context in a unique artistic practice. It will undoubtedly be of interest to scholars of book arts, sculpture, and those examining the role of manual craftsmanship in modern artistic expression, providing a thorough examination of a compelling and underexplored niche within contemporary art.

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