Isbandiyah, Supriyanto

ANALISIS TARI SILAMPARI KAYANGAN TINGGI (Studi Etnografi Di Kota Lubuklinggau)

Introduction

Analisis tari silampari kayangan tinggi (studi etnografi di kota lubuklinggau). Telusuri makna mendalam Tari Silampari Kayangan Tinggi dari Lubuklinggau. Studi etnografi ini mengungkap simbol pakaian, gerakan, dan nilai kearifan lokal seperti sopan santun.

Abstract

ABSTRACT This research was carried out with the aim of finding out and analyzing the meaning of the Silampari Kayangan Tinggi Dance which is part of the culture of the people of Lubuklinggau City, both the meaning of the clothes they wear and the meaning of their movements, as well as analyzing the values of local wisdom contained in the Silampari Kayangan Tinggi Dance. The method used is qualitative with an ethnographic study approach that does not only rely on documentation studies but also with field studies as supporting such as in-depth interviews. Informants were selected based on criteria while data analysis was carried out using qualitative data analysis techniques that have been developed by Spradley. For the validity of the data, the truth will be tracked through triangulation techniques. The results of the study show that (1) the clothes used in the Silampari Kayangan Tinggi Dance symbolize politeness, politeness, and ethics when welcoming guests. (2) The resulting Silampari Kayangan Tinggi Dance Movement is a movement that contains values, namely gentleness and consistency. Dance movements are divided into two, namely meaningful movements and pure movements. Meaningful motion is motion that contains a clear meaning, while pure motion is motion that describes something symbolically. (3) The Silampari Kayangan Tinggi Dance contains local wisdom values that can be applied in daily life, including the values of manners, gentleness, consistency, privilege of guests, mutual respect, mutual respect, humility, care, harmony or familiarity, patience, responsibility and cooperation. Keywords: Silampari Kayangan Tinggi Dance and Value of Local Wisdom

Review

This manuscript presents a compelling ethnographic study of the Silampari Kayangan Tinggi Dance, a significant cultural expression from Lubuklinggau City. The research effectively sets out to explore the nuanced meanings embedded within the dance, encompassing both the attire worn by performers and the choreography itself, alongside an in-depth analysis of the local wisdom values it embodies. This focus on cultural interpretation and the uncovering of inherent societal values makes the study highly relevant, particularly in the context of cultural preservation and the understanding of regional identities in Indonesia. The clarity of the stated objectives indicates a well-defined research scope with a clear contribution to ethnographic and cultural studies. Methodologically, the study adopts a robust qualitative ethnographic approach, which is entirely appropriate for its interpretive aims. The abstract highlights a commendable commitment to rigorous data collection, moving beyond mere documentation to include critical field studies and in-depth interviews. The explicit mention of Spradley's qualitative data analysis techniques and the use of triangulation for data validity underscores a methodical and credible research process. The findings are clearly presented and detailed: revealing that costumes symbolize politeness and ethics for guests, dance movements convey gentleness and consistency (categorized into meaningful and pure), and critically, an extensive list of local wisdom values such as manners, mutual respect, humility, and cooperation, are identified as integral to the dance. Overall, this research promises to be a valuable contribution to the understanding of Indonesian traditional arts and their deep cultural significance. The comprehensive identification of local wisdom values embedded within the Silampari Kayangan Tinggi Dance is particularly noteworthy and provides a rich resource for further cultural discourse, education, and heritage preservation efforts. The methodological transparency and the detailed presentation of findings suggest that the study offers profound insights into how dance functions as a repository and transmitter of communal ethics and identity. This work will undoubtedly be of interest to scholars of anthropology, ethnomusicology, cultural studies, and anyone interested in the dynamic interplay between art and society.

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