Ulil Abshor Ulil Abshor

Arsitektur Alif dan Alef

Introduction

Arsitektur alif dan alef. Arsitektur Alif dan Alef adalah mahakarya sarat nilai filosofis dan sakral. Penelitian semiotik ini mengungkap makna monoteisme, keesaan Tuhan, serta ajaran spiritualitas abadi yang terkandung di dalamnya.

Abstract

The letters Alif and Alef are architectural masterpieces. Architecture is not only constructed to meet basic human needs. In a semiotic perspective, architecture is a text and is designed to be rich in philosophical values, so it is necessary to trace the meanings contained in it. This research is a literature, with a comparative inductive method. The approach is semiotic architecture. As a result, the Alif and Alef architectures are designed to be timeless so that the letter values can become a guideline that is firmly held by their users. Its extra-detailed design shows the sacredness of the letter. Apart from being the name of God, the letter is constructed as an icon of tahlil or tehlel monotheism that interprets the oneness of God and there is no God but Him. He is All Supreme and to Him man must submit, serve and hold on to His words. Its abstract qualities are the image of infinity and something indescribable. His intentions show that God is the Creator, can only be articulated through the wonders of His creations. The numerical value of one represents a beginning and the only path to be walked. One thousand is an infinity number that means everything comes from the One Dzat no one can feel high because God is Al-Mutakabbir. And among the ways of obtaining sprirituality is to neutralize lust.

Review

This paper, "Arsitektur Alif dan Alef," presents a highly ambitious and intellectually stimulating exploration into the semiotic depth of the letters Alif and Alef. The central premise, that these fundamental linguistic units can be understood as "architectural masterpieces" rich in philosophical and spiritual values, immediately captures attention. The authors propose to move beyond a utilitarian view of architecture, interpreting it instead as a "text" designed to convey profound meanings. This initial framing sets the stage for an intriguing semiotic analysis, aiming to trace the embedded significance of these letters and present them as timeless guidelines for their users, offering a fresh interdisciplinary perspective at the intersection of language, design, and spirituality. Employing a literature-based approach with a comparative inductive method and a semiotic architectural lens, the research delves into a multifaceted interpretation of Alif and Alef. The abstract outlines a wealth of insights, connecting the letters' design to concepts of sacredness, monotheistic iconography (tahlil/tehlel), the oneness of God, and the ineffable nature of the divine. The analysis further extends to numerical values, linking 'one' to beginnings and the sole path, and 'one thousand' to infinity and humility before Al-Mutakabbir, culminating in a discussion on spiritual purification. While these interpretations are rich and thought-provoking, the abstract suggests that the full paper would benefit from a more explicit articulation of how the "comparative inductive method" specifically applied to these diverse interpretations, and how the metaphorical leap from a linguistic letter to an "architectural masterpiece" is fully justified and consistently maintained throughout the analysis, potentially with clear exemplification. The potential impact of this study lies in its capacity to illuminate the profound spiritual and ethical dimensions embedded within seemingly simple symbols. By presenting Alif and Alef not merely as letters but as meticulously designed conduits of divine truth and guidance, the paper offers valuable insights into the cultural and religious construction of meaning. The conclusion that these designs provide timeless guidance, emphasize monotheism, and advocate for spiritual self-mastery through neutralizing desires, underscores the practical implications of such semiotic decoding. This unique approach could inspire further research into the symbolic "architecture" of other fundamental elements across diverse linguistic and spiritual traditions, making a significant contribution to both semiotics and the study of religious symbolism in design.

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