Arief Darmawan, Joko Setiyono

Variasi Argot di Komunitas Stand Up Comedy Indonesia

Introduction

Variasi argot di komunitas stand up comedy indonesia . Penelitian ini mengidentifikasi & mengklasifikasikan variasi argot di komunitas Stand Up Comedy Indonesia, menyoroti dominasi leksikon Inggris dan adaptasi linguistik lokal.

Abstract

Penelitian ini bertujuan untuk mengidentifikasi dan mengklasifikasikan variasi argot dalam komunitas Stand Up Comedy Indonesia berdasarkan bentuk morfologis dan asal bahasanya. Data diperoleh dari berbagai platform media sosial komunitas Stand Up Indo, yang kemudian dianalisis menggunakan pendekatan deskriptif kualitatif. Hasil penelitian menunjukkan bahwa sebagian besar argot yang digunakan merupakan kata dasar yang berasal dari bahasa Inggris (KDA) sebanyak 20 item, dibandingkan dengan delapan kata dasar dari bahasa Indonesia (KDB). Selain itu, ditemukan enam kata turunan berbahasa Indonesia dan tiga kata turunan campuran. Dalam kategori frasa, terdapat 21 frasa argot berbahasa Inggris, dua frasa berbahasa Indonesia, dan dua frasa campuran. Sedangkan argot berbentuk klausa merupakan kategori yang paling sedikit ditemukan, yakni dua klausa campuran. Temuan ini menunjukkan dominasi leksikon bahasa Inggris dalam komunitas ini, seiring dengan pengaruh kuat budaya asal Stand Up Comedy yang berasal dari Amerika. Namun, munculnya bentuk-bentuk argot lokal dan campuran menunjukkan proses adaptasi linguistik dan hibriditas bahasa dalam ranah budaya populer urban di Indonesia. Kata kunci: argot, stand up comedy, komunitas

Review

This study, "Variasi Argot di Komunitas Stand Up Comedy Indonesia," presents a timely and relevant exploration into the unique linguistic landscape of the Indonesian stand-up comedy community. The research effectively aims to identify and classify argot variations based on their morphological form and linguistic origin, a crucial step in understanding language dynamics within specific subcultures. Utilizing data from social media platforms, the study employs a descriptive qualitative approach to reveal significant patterns, most notably the strong presence of English-derived argot. This initial finding immediately highlights the global influences shaping local linguistic practices and offers valuable insights into sociolinguistics and cultural studies. A significant strength of this research lies in its systematic categorization of argot forms. The findings provide a detailed breakdown, showing a clear dominance of English basic words (20 items) over Indonesian basic words (8 items), alongside a notable number of English phrases (21 items). The inclusion of derived words and mixed forms further enriches the analysis, pointing to complex processes of linguistic borrowing and adaptation. The conclusion that English lexicon dominates due to the genre's American origins is well-supported by the data. Moreover, the emergence of local and mixed argot forms is particularly insightful, suggesting a dynamic interplay of global influences and local linguistic creativity, leading to fascinating instances of language hybridity within this urban popular culture. While the study successfully identifies and classifies argot, future research could potentially delve deeper into the *why* and *how* of argot usage, exploring the specific social functions and semantic nuances of these terms within the community. For instance, an ethnographic component examining speaker intent, audience reception, or the role of argot in identity formation and in-group cohesion could provide richer contextual understanding beyond morphological and etymological classifications. Nevertheless, this paper serves as a solid foundational work, providing a comprehensive overview of argot variations in the Indonesian Stand Up Comedy community. Its findings significantly contribute to our understanding of language adaptation, cultural borrowing, and linguistic innovation within contemporary Indonesian popular culture, making it a valuable addition to the field.

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