Struktur dan fungsi satra lisan dalam cerita rakyat siengkang di kabupaten wajo : kajian strukturalisme levi-strauss. Kaji struktur dan fungsi sastra lisan cerita rakyat Siengkang dari Wajo, Sulawesi Selatan, menggunakan strukturalisme Levi-Strauss. Ungkap nilai Bugis sebagai hiburan & edukasi.
Penelitian ini bertujuan mendeksripsikan struktur dan fungsi cerita rakyat Siengkang. Cerita rakyat ini menceritakan tentang seorang putri yang Bernama We Tadampalik di Kabupaten Wajo. Salah satu sastra lisan masyarakat Bugis Wajo Provinsi Sulawesi Selatan itu adalah Siengkang. Cerita rakyat Siengkang diawali dengan bersatunya putri We Tadampalik, anak Datu Luwu dengan putra dari Arung Palakka Bone sehingga disebut dengan Siengkang. Penelitian ini menggunakan metode deskriptif bertujuan untuk mendeskripsikan struktur dan fungsi cerita tersebut bagi masyarakat Wajo melalui tahapan pengamatan, wawancara, rekam dan catat, dan analisis data melalui tahap identifikasi data, klasifikasi, dan deskripsi. Data berupa teks dianalisis dengan menggunakan teori struktural Levi-Strauss dengan fokus penelitian struktur dan fungsi sosial sastra lisan cerita rakyat Siengkang. Adapun hasil dalam penelitian ini terkait dengan struktur yang meliputi motif, alur, latar, tokoh, dan penokohan, dan tema menggambarkan suatu keterkaitan yang saling berkesinambungan dan terdapat keterkaitan filosofi dan petuah-petuah suku Bugis dalam kehidupan bermasyarakat. Adapun fungsi sosial sastra lisan tak terlepas dari kehidupan masyarakat Bugis Wajo berupa petuah-petuah dan nilai lokal-lokal tetap lestari di tengah masyarakat Bugis sebagai hiburan dan Pendidikan.
This paper, "Struktur dan Fungsi Satra Lisan dalam Cerita Rakyat Siengkang di Kabupaten Wajo: Kajian Strukturalisme Levi-Strauss," presents a valuable and focused investigation into a significant piece of Bugis oral literature. The research meticulously aims to describe the structure and function of the Siengkang folktale, a narrative from Wajo Regency about Princess We Tadampalik. By specifically applying the structuralist framework of Levi-Strauss, the study seeks to uncover the inherent patterns and cultural meanings embedded within this traditional story, thereby contributing to a deeper understanding of Bugis heritage. The methodology employed is descriptive, involving a systematic process of observation, interviews, recording, and transcription of the narrative data. The subsequent analysis follows a structured approach, encompassing data identification, classification, and detailed description. A key strength of this research lies in its rigorous application of Levi-Strauss's structuralist theory to dissect core narrative elements such as motif, plot, setting, characters, characterization, and theme. The findings reveal a compelling interconnectedness among these structural components, demonstrating how they collectively convey profound philosophical insights and traditional Bugis wisdom pertinent to community life. Additionally, the study effectively identifies the crucial social functions of Siengkang as a source of entertainment, education, and a vital mechanism for preserving local values and advice within the Bugis community. In conclusion, this research offers a substantial contribution to folklore studies and the understanding of Bugis cultural dynamics. By employing a robust theoretical lens, the authors have successfully illuminated the intricate relationship between the narrative form and its underlying cultural messages in the Siengkang folktale. The identification of its dual role as both an entertaining story and a pedagogical tool for cultural transmission highlights the enduring significance of oral traditions. This study provides a strong foundation for future research exploring the broader implications of Bugis oral literature in shaping identity and fostering community cohesion, ultimately offering valuable insights into the richness of local wisdom.
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