Preservation of Beghu Musical Instruments as Icons of Nagakeko Regency, Flores, East Nusa Tenggara
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Kanzul Fikri, Sena Samino

Preservation of Beghu Musical Instruments as Icons of Nagakeko Regency, Flores, East Nusa Tenggara

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Introduction

Preservation of beghu musical instruments as icons of nagakeko regency, flores, east nusa tenggara. Discover efforts to preserve the Beghu musical instrument, an intangible cultural heritage from Nagekeo, Flores. Learn about its value, threats, and solutions for cultural survival.

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Abstract

The preservation of local culture in Indonesia faces serious challenges, both from within the community and due to the influence of globalization. This article focuses on the study of the traditional Beghu musical instrument from Nagekeo Regency, East Nusa Tenggara, as a representation of intangible cultural heritage that is rich in historical, educational, and artistic value. This study uses a descriptive qualitative approach with purposive sampling and snowball sampling techniques to explore the meaning, function, and challenges in the preservation of Beghu. The results show that Beghu not only plays an important role in the traditional rituals and social life of the community, but also faces real threats due to lack of documentation, lack of interest from the younger generation, and limited institutional support. These findings confirm the importance of integrating traditional musical instruments in education and strengthening local communities through documentation, training, and cultural activities. Structured and collaborative preservation efforts are needed to keep Beghu alive as a symbol of the identity and cultural pride of the Nagekeo people.


Review

The article, "Preservation of Beghu Musical Instruments as Icons of Nagakeko Regency, Flores, East Nusa Tenggara," addresses a highly relevant and critical issue concerning cultural heritage preservation in Indonesia, particularly within the context of globalization's impact on local traditions. By focusing on the Beghu musical instrument from Nagekeo Regency, the study effectively highlights the multifaceted challenges faced by intangible cultural heritage. The research's emphasis on the instrument's historical, educational, and artistic value underscores its significance as a vital symbol of community identity and cultural pride, making this a timely and important contribution to the discourse on safeguarding unique local traditions. The study employs a descriptive qualitative approach, utilizing purposive and snowball sampling techniques to thoroughly explore the meaning, function, and preservation challenges of the Beghu instrument. This methodology appears well-suited to delve into the nuanced cultural aspects of the instrument. The findings reveal Beghu's integral role in traditional rituals and social life, while concurrently identifying concrete threats to its survival. These threats—lack of documentation, waning interest from the younger generation, and limited institutional support—are critical insights that provide a clear diagnostic picture of the pressures confronting traditional cultural expressions and are likely to resonate with similar preservation efforts globally. Crucially, the article transcends problem identification by proposing actionable solutions that hold significant implications for cultural policy and community engagement. The recommendations for integrating traditional musical instruments into education and strengthening local communities through documentation, training, and cultural activities are practical and forward-thinking. The call for structured and collaborative preservation efforts highlights the necessity of a multi-stakeholder approach. Overall, this paper not only enriches the understanding of intangible cultural heritage in East Nusa Tenggara but also provides a valuable framework for future research and policy interventions aimed at ensuring the longevity of such invaluable cultural treasures.


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