PERUBAHAN HAK CIPTA KARYA SENI FOTOGRAFI PADA ERA AI
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Wisesa Wahyuono, Dzikrillah Ummat , Moch. Amrizal Firdaus, A. Syarifuddin Rohman

PERUBAHAN HAK CIPTA KARYA SENI FOTOGRAFI PADA ERA AI

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Introduction

Perubahan hak cipta karya seni fotografi pada era ai. Mengkaji perubahan hak cipta karya seni fotografi di era AI. AI tak dapat dihak ciptakan, namun foto buatan manusia dengan AI sebagai alat tetap berpeluang HAKI.

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Abstract

Revolusi industri dengan cepat mempengaruhi setiap aspek kehidupan manusia melalui berbagai inovasi dan perkembangan teknologi. Fotografi adalah hasil inovasi dan perkembangan teknologi tersebut, dan juga merupakan salah satu media visual yang memberi daya tarik sendiri bagi manusia zaman sekarang. Dewasa ini muncul teknologi baru yang disebut AI. Dengan adanya berbagai perkembangan dan pemanfaatan teknologi AI, hukum tentunya akan perlu beradaptasi. Termasuk dalam perubahan hak cipta seni karya Fotografi. Penelitian ini bertujuan mengkaji perubahan hak cipta karya seni Fotografi pada era AI. Metode yang digunakan dalam penelitian ini adalah deskriptif kualitatif dengan teknik pengumpulan data yakni teknik dokumentasi dan teknik kepustakaan. Data berupa informasi tentang perubahan, dampak, dan hak cipta karya seni fotografi pada era AI. Hasil penelitian menunjukan bahwa AI tidak dapat dihak ciptakan, tetapi karya seni Fotografi yang menggunakan AI sebagai alat atau media untuk memperbagus tampilan gambar foto masih memungkinkan memperoleh HAKI, karena karya seni fotografi tetap menjadi karya manusia yang dilengkapi dengan teknologi AI.


Review

This paper addresses a highly timely and critical topic at the intersection of technological advancement and intellectual property law: the impact of Artificial Intelligence (AI) on copyright for photographic artworks. The rapid evolution of AI necessitates a re-evaluation of existing legal frameworks, and the chosen focus on photography, a medium inherently linked to technological innovation, is particularly relevant. The stated objective to investigate changes in copyright for photographic art in the AI era is clear and well-defined. Furthermore, the employment of a descriptive qualitative method, relying on documentation and literature review, appears suitable for exploring the complex legal and conceptual nuances of this emerging domain. The research presents a significant finding: while AI itself cannot be copyrighted, photographic artworks that leverage AI as a tool for enhancement or improvement *can* still secure intellectual property rights (HAKI/IPR). This distinction, which posits that the work remains fundamentally a human creation augmented by AI technology, offers a crucial perspective. It provides a practical and understandable framework for attributing authorship and protecting creative endeavors in an increasingly AI-driven landscape. This clear articulation is vital for artists navigating new creative processes, as well as for legal practitioners and policymakers striving to adapt copyright law to contemporary realities. While the abstract provides a compelling summary of the research's core argument, the full paper could be further enriched by elaborating on several aspects. Exploring the specific legal principles or precedents that underpin the "AI as a tool" conclusion would strengthen its foundation. Additionally, a discussion on the practical challenges of differentiating between human creativity significantly enhanced by AI and works where AI's contribution might blur the lines of human authorship would be highly beneficial. Providing examples or hypothetical scenarios demonstrating various levels of AI integration and their copyright implications could also offer valuable insights. Overall, this paper makes a valuable contribution to the ongoing global discourse on AI and copyright, offering a thoughtful and actionable perspective on a complex issue.


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