Satria Bagus Wicaksana, Fatmawati, Dhea Azhari, Kartika Maharani Dyah Puspita Khusnul Khotimah

Kajian Karya Lukis Gaya Naturalis Djoeari Soebardja “Bertahan 1” Menggunakan Teori Estetika

Introduction

Kajian karya lukis gaya naturalis djoeari soebardja “bertahan 1” menggunakan teori estetika. Penelitian ini menginterpretasi lukisan naturalis Djoeari Soebardja “Bertahan 1” menggunakan teori estetika, mengungkap kritik seniman terhadap kerusakan alam akibat faktor manusia.

Abstract

Penelitian ini dilakukan dengan tujuan menginterpretasikan lukisan gaya naturalis karya Djoeari Soebardja yang berjudul “Bertahan 1” dengan representasi visual bronjong sebagai ide bentuk . Penelitian ini merupakan penelitian deskriptif kualitatif dengan menggunakan pendekatan teori estetika. Sumber data primer pada penelitian ini adalah lukisan gaya naturalis Djoeari Soebardja yang berjudul “Bertahan 1”, sedangkan data sekunder yang didapatkan meliputi hasil wawancara ke kediaman Djoeari Soebardja, observasi karya langsung ke studio pribadi, serta dokumentasi. Hasil penelitian ini merupakan interpretasi terhadap karya seni Djoeari Soebardja bergaya naturalis yang berjudul “Bertahan 1”, dimana representasi visual Djoeari Soebardja dalam menginterpretasikan penanggulangan kerusakan alam karena faktor manusia. Dengan demikian, penelitian ini menunjukkan bagaimana cara Djoeari Soebardja dalam mengkritisi, serta menyuarakan mengenai penanggulangan kerusakan alam tersebut akibat faktor manusia.

Review

The paper "Kajian Karya Lukis Gaya Naturalis Djoeari Soebardja “Bertahan 1” Menggunakan Teori Estetika" presents a focused qualitative study aiming to interpret a specific naturalistic painting, "Bertahan 1," by Djoeari Soebardja. The central objective is to analyze the artwork's visual representation, particularly the "bronjong" (gabion) as a formal idea, through the lens of aesthetic theory. This research offers a pertinent contribution to art criticism and art historical studies by delving into a particular work by an Indonesian artist, providing insight into the artist's thematic concerns, specifically his critique of human-induced environmental degradation. The precise focus on a single artwork allows for an in-depth exploration, which is commendable and promises a rich interpretative analysis. The methodology employed is described as descriptive qualitative, utilizing an aesthetic theory approach, which is appropriate for the interpretative nature of the research. The identification of data sources is clear: the primary data is the painting "Bertahan 1" itself, while secondary data includes interviews conducted at the artist's residence, direct observation in the private studio, and supporting documentation. This multi-faceted data collection strategy, combining direct engagement with the artwork and contextual information from the artist and studio, enhances the credibility and richness of the interpretative analysis. The explicit mention of the "bronjong" as a foundational visual idea ("ide bentuk") is a promising detail, suggesting a specific visual element will be central to the aesthetic interpretation. The abstract indicates that the study culminates in an interpretation of "Bertahan 1" as Djoeari Soebardja's visual statement on the mitigation of environmental damage caused by human factors. The core finding reveals the artist's method of critiquing and advocating for solutions to this pressing issue through his naturalistic style and specific visual representations, such as the "bronjong." This research is significant in illuminating how art can serve as a powerful medium for social commentary and environmental consciousness. To further strengthen the paper, it would be beneficial to clearly articulate *which* specific aesthetic theory is applied and how it specifically aids in deconstructing the "bronjong" motif and the artist's environmental message. Additionally, contextualizing Djoeari Soebardja's work within broader Indonesian art movements or environmental art discourse would enrich the discussion.

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