The Role of Osing Women in Preserving Banyuwangi Customs and Culture
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Rizky Maulana

The Role of Osing Women in Preserving Banyuwangi Customs and Culture

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Introduction

The role of osing women in preserving banyuwangi customs and culture. Explore the significant role of Osing women in preserving Banyuwangi's unique customs and culture. Learn how their traditional clothing and ikat weaving contribute to cultural transmission and women's empowerment.

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Abstract

Osing women are a group of women who are able to participate in various cultural activities. They contribute significantly to the preservation and transmission of their cultural traditions to future generations through their traditional clothing. The distinctive aspects of their lives will be examined in this paragraph, along with their traditions, beliefs, and contributions to Indonesian society. The articles mentioned discuss how gender equality can affect the preservation of cultural heritage and the role of women in the ikat weaving industry. Women's empowerment strategies through access to training, capital, and fair markets are needed to maintain traditional knowledge and promote ikat weaving as a valuable cultural asset. Women in Indonesia are addressing barriers to achieving their goals by supporting laws that promote justice and equal opportunity. It is imperative that we create spaces for women to share their stories and contribute to the ongoing conversation about gender equality and empowerment.


Review

This paper proposes to explore the significant role of Osing women in preserving the customs and culture of Banyuwangi, with a specific focus on their contributions through traditional clothing. The abstract highlights their active participation in various cultural activities and their crucial role in transmitting cultural traditions to future generations. The stated aim to examine their distinctive lives, traditions, beliefs, and broader contributions to Indonesian society indicates a valuable attempt to shed light on women's agency in cultural heritage. The recognition of women's empowerment as essential for maintaining traditional knowledge and promoting cultural assets is a commendable underlying theme. However, the abstract suffers from a significant lack of focus and clarity, creating confusion about the paper's actual scope. While the title and initial sentences specifically reference "Osing women" and their "traditional clothing" in Banyuwangi, the abstract quickly broadens to discuss "gender equality," the "ikat weaving industry," and "women in Indonesia" generally. It is unclear whether the study will focus exclusively on Osing women, or if it will use them as a case study for broader discussions on Indonesian women and ikat weaving – two distinct topics. The abstract also lacks any mention of methodology, leaving the reader unaware of *how* these varied aspects will be examined, and whether it will be a primary research study, a literature review, or a conceptual paper. Vague phrasing such as "The articles mentioned discuss..." further detracts from the abstract's specificity and scientific rigor. To strengthen this work, it is imperative to significantly refine the abstract to accurately reflect the paper's precise scope and methodology. The authors should decide whether the primary focus remains on Osing women and their specific contribution to Banyuwangi customs, or if the paper intends to offer a broader analysis of gender equality and women's empowerment within various Indonesian cultural industries, such as ikat weaving. Clarifying the specific cultural expressions being examined (e.g., traditional clothing *versus* ikat weaving) is also crucial. Providing details on the research approach (e.g., ethnographic study, case study, literature review) will greatly enhance the abstract's informativeness and allow readers to properly assess the paper's contribution to the field. Addressing these points will ensure the paper delivers on its promising premise with greater coherence and academic precision.


Full Text

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