Nirmala Dewi Putri Nirmalasari

Poret Fotografi Ekspresionisme: Mengekspresikan dalam bentuk Gambar

Introduction

Poret fotografi ekspresionisme: mengekspresikan dalam bentuk gambar. Jelajahi Potret Fotografi Ekspresionisme, gaya seni yang mengekspresikan emosi seniman secara spontan. Pahami penerapan ekspresionisme dalam fotografi dan perdebatan seni fotografi.

Abstract

Potret Fotografi Ekspresionisme adalah penerapan Gerakan artistic ekspresionisme pada fotografi, gaya yang dapat berisikan berbagai ekspresi emosional seniman, ekspresionisme merupakan salah satu bentuk seni yang beranggapan bahwa seni yang muncul secara spontan dari senimannya bukanlah tiruan dari alam. Dalam fotografi ekspresionisme bisa di katakana bahwa seni Lukis bisa menjadi gambar dalam menunjukkan ekspresi. fotografi memiliki sejarah panjang sebagai media yang dapat merekam dan menyampaikan informasi visual dengan kejelasan dan kekuatan yang unik. Fotografi juga merupakan bahasa universal yang dapat dipahami dan dinikmati semua orang. Fotografi adalah perpanjangan mata manusia, menangkap keindahan. Munculnya fotografi juga membawa kontroversi yang membingungkan para pecinta seni dan peminat apakah fotografi harus digolongkan sebagai seni atau tidak.

Review

This abstract introduces a potentially fascinating topic: the application of Expressionist principles to portrait photography, termed "Potret Fotografi Ekspresionisme." The initial premise effectively defines Expressionism as an artistic movement prioritizing spontaneous emotional expression over mere imitation of nature, and correctly identifies its core tenet of art emerging from the artist's inner world. The idea of exploring how such subjective, emotional depth is translated and expressed through the photographic medium, particularly in portraiture, holds significant academic and artistic merit. However, the abstract quickly broadens its scope, moving from the specific focus on Expressionist portrait photography to more general and widely acknowledged characteristics of photography as a whole. While statements about photography's historical role in visual information, its universal language, and its capacity to capture beauty are accurate, they dilute the specific analytical intent implied by the title. The abstract's connection between painting and photography in the context of expression needs clarification, and the concluding mention of the historical debate regarding photography's status as art, while relevant to the broader field, feels somewhat tangential to the proposed specific study of "Expressionist Portrait Photography." To strengthen the paper, it would benefit from a more focused articulation of its specific research questions, methodology, and expected contributions. The abstract would be more impactful if it clearly outlined how the paper intends to *demonstrate* or *analyze* Expressionism in photographic portraits, perhaps through specific case studies, technical approaches, or theoretical frameworks. By narrowing its focus and explicitly stating its analytical approach, the paper could move beyond a general discussion of photography to offer novel insights into the unique ways Expressionist principles manifest and are interpreted within the distinctive constraints and capabilities of the photographic medium in portraiture.

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