Pangkak gasing: tools of social interaction of the community of children and adolescents in maintaining malay culture sambas. Explore Pangkak Gasing's role in social interaction among Sambas Malay children and adolescents, preserving culture and fostering connections in real and virtual worlds.
This article is based on the results of in-depth research on the pangkak gasing and social interactions of Sambas Malay children and adolescents. Pangkak gasing is a traditional game that is currently running lively in the rural district of Sambas. In addition to preserving the culture of the pangkak gasing, it is also a means of friendship for fellow Malay Sambas. The presence of children and adolescents in apangkak gasing game of forming a habitus in the community arena where social interaction takes place. Social interaction in the field of pangkak gasing not only by direct contact during the game but also penetrated in the virtual world or social media. New media in social interaction, especially in the field of pangkak gasing make social media as a tool to interact where agents have never met and started meeting in the real world. This article discusses how the pangkak gasing affect the social interaction of Sambas Malay children and adolescents. This research uses a qualitative method with a sociology approach. Data was obtained through observations and interviews with Sambas Malay children and adolescents who participated routinely in the pangkak gasing game.
This article presents an intriguing qualitative study investigating the role of "Pangkak Gasing," a traditional spinning top game, as a mechanism for social interaction and cultural preservation among children and adolescents in the rural district of Sambas. The authors posit that this lively traditional game fosters a sense of community and friendship, contributing to the maintenance of Malay culture. Employing a sociological approach, the research aims to uncover how Pangkak Gasing influences social dynamics, both in direct physical play and through its extension into the virtual world of social media, highlighting a fascinating bridge between traditional cultural practices and contemporary digital interaction. The study's strength lies in its timely focus on local cultural practices and their relevance in contemporary society, particularly in engaging younger generations. By examining Pangkak Gasing, the authors shed light on an often-overlooked avenue for cultural transmission and community building. The innovative exploration of how social interaction catalyzed by the game extends into virtual spaces—where participants may first connect online before meeting in person—is particularly commendable. This dual-realm interaction offers a fresh perspective on how traditional games can leverage new media, reinforcing their social significance and cultural reach beyond geographical confines. The chosen qualitative methodology, with its reliance on observations and interviews, appears well-suited to capture the nuanced experiences and perspectives of the target demographic. While the abstract effectively outlines the research's scope and methodology, a deeper engagement with specific sociological theories beyond the mere mention of "habitus" would significantly strengthen the paper's theoretical contribution. The abstract states that the game leads to "forming a habitus in the community arena," and elaborating on how this specific concept informs the analysis and findings would be valuable. Further, exploring the *specific mechanisms* through which Pangkak Gasing translates into cultural preservation and social cohesion could provide richer insights. For instance, what are the specific rules, rituals, or informal norms within the game that foster friendship and cultural identity? Detailing the nature of virtual interactions—what platforms are used, how do they facilitate "never met" connections, and what are the specific impacts on real-world meetups—would also enhance the discussion. Addressing these points would undoubtedly elevate the paper's overall impact and academic rigor.
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By Sciaria
By Sciaria
By Sciaria
By Sciaria
By Sciaria
By Sciaria