Carolina Anglada

Imposturas do poema

Introduction

Imposturas do poema. Explore a impostura perversa do poema na obra de Alice Vieira e Ismar Tirelli Neto, usando a Verleugnung freudiana. Analisa a perversão como dispositivo estético e político.

Abstract

Buscando pensar os efeitos de uma certa impostura perversa do poema, lê-se a obra de Alice Vieira e Ismar Tirelli Neto a partir tanto de um questionamento sobre o sujeito que escreve e o sujeito da leitura, quanto sobre os procedimentos que atam essas duas figuras na posição que são levados a ocupar. Parte-se, portanto, da Verleugnung freudiana, traduzida como desmentido e denegação, a fim de se perscrutar como também o trabalho do verso se conjuga ao enviesamento e à clivagem próprias à perversão, pensada aqui não como estrutura subjetiva, e sim como dispositivo estético e político que tem que ver com a indecidibilidade e com a polimorfia da enunciação.

Review

This paper, titled "Imposturas do poema," proposes a highly original and theoretically sophisticated examination of poetic practice. Its central premise, exploring the "perverse imposture of the poem," immediately signals an ambitious and challenging re-evaluation of the relationship between text, author, and reader. By engaging with the works of Alice Vieira and Ismar Tirelli Neto through the lens of Freudian *Verleugnung* (disavowal/denial), the study promises to shed new light on the intricate mechanisms that shape both the creative act and its reception. The abstract suggests a critical and timely interrogation of how poetic procedures construct, and perhaps deconstruct, the positions occupied by the writing and reading subjects, marking a significant contribution to literary theory and psychoanalytic criticism. A key strength lies in the nuanced theoretical framework articulated. The decision to conceptualize "perversion not as a subjective structure, but as an aesthetic and political device" is particularly compelling. This reframing allows the analysis to move beyond pathologizing interpretations and instead focus on the productive, destabilizing capacities of language. By linking the "work of the verse" to concepts like *enviesamento* (biasing) and *clivagem* (cleavage) inherent to this redefined notion of perversion, the paper indicates a deep engagement with the formal and structural elements of poetry. The promise to explore how these dynamics contribute to the "indecidability and polymorphy of enunciation" suggests a sophisticated approach to understanding poetic ambiguity and its wider implications. This research holds considerable potential to provoke new discussions within literary studies, particularly concerning the ethical and political dimensions of poetic form. By challenging conventional notions of authenticity and sincerity in poetry through the concept of "imposture," and by re-evaluating perversion as a critical aesthetic tool, the paper offers a robust framework for analyzing texts that resist straightforward interpretation. It opens avenues for reconsidering the agency of the poetic text itself, and how it actively shapes the subjects involved in its creation and consumption. This promises to be an insightful and intellectually stimulating contribution that will undoubtedly resonate with scholars interested in psychoanalytic literary criticism, aesthetics, and the philosophy of language.

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