The function of the nyadran dam bagong tradition in trenggalek regency: william r. Bascom's theory. Explore the Nyadran Dam Bagong tradition in Trenggalek, analyzing its cultural history, pamali, and functions through William R. Bascom's theory for entertainment, education, and social norms.
The Trenggalek people have a tradition that is used as local wisdom, namely the Nyadran Dam Bagong tradition which is very attached to its history. This tradition is used as a research object with a study focus on cultural history, pamali, and the function of its traditions. The theory used in this research is William R. Bascom's theory of function, namely as a form of entertainment, a means of validating cultural institutions and institutions, a tool for educating children, and a tool for coercion or supervision so that community norms are adhered to. The method in this research is qualitative descriptive research with an oral literature approach. The data sources in this research are the caretaker as informant, recordings and notes during the research and documents. The data in this research are the cultural history, pamali, and function of the Nyadran Dam Bagong tradition in Trenggalek Regency. Data collection in this research was carried out using observation and interview techniques. The data analysis used in this research is content analysis and descriptive analysis. The results obtained from this research are a description of the cultural history, pamali, and function of the Nyadran Dam Bagong tradition in Trenggalek Regency according to William R. Bascom's function theory, namely as a form of entertainment, a means of ratifying cultural institutions and institutions, a tool for children's education, and a tool coercor or supervisor so that community norms are adhered to.
This abstract presents an intriguing study into the Nyadran Dam Bagong tradition in Trenggalek Regency, positioning it as a significant piece of local wisdom deeply intertwined with the region's cultural history. The research clearly articulates its focus on the tradition's cultural history, the concept of *pamali* (taboos/prohibitions), and its overarching functions within the community. The explicit adoption of William R. Bascom's widely recognized theory of function – encompassing entertainment, validation of institutions, education, and social control – provides a robust theoretical lens through which to analyze this specific cultural phenomenon, promising a structured and insightful exploration. The methodology outlined appears sound and appropriate for the research questions. A qualitative descriptive approach, utilizing an oral literature framework, aligns well with the study of traditional practices and narratives. The data collection strategy, involving a caretaker informant, recordings, notes, and documents, demonstrates a comprehensive approach to gathering rich, qualitative data. The subsequent use of observation and interview techniques for data collection, complemented by content and descriptive analysis, suggests a rigorous process for interpreting the collected information. The clear statement that the results will describe the tradition's history, *pamali*, and functions *according to* Bascom's theory indicates a strong commitment to applying the theoretical framework systematically throughout the analysis. Overall, the abstract suggests a valuable contribution to the understanding of Indonesian local traditions and the application of folklore theory. Its strength lies in its focused scope, the explicit use of a well-established theoretical framework, and a seemingly robust qualitative methodology designed to capture the nuances of cultural practice. The study promises to shed light not only on the specific Nyadran Dam Bagong tradition but also on broader mechanisms through which traditions serve diverse societal roles. This research appears well-conceived and poised to offer significant insights into the dynamic interplay between tradition, history, and community function within the Trenggalek Regency.
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