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Penerapan Zero Waste dalam Desain Mini Dress : Pemanfaatan Sisa Kain Sebagai Aksen Estetis.

Introduction

Penerapan zero waste dalam desain mini dress : pemanfaatan sisa kain sebagai aksen estetis.. Terapkan desain zero waste pada mini dress. Manfaatkan sisa kain sebagai aksen estetis untuk busana unik, mengurangi limbah tekstil dan mendukung fashion berkelanjutan.

Abstract

The fashion industry is one of the largest contributors to textile waste globally. One sustainable design approach that has emerged is zero waste fashion design, a strategy that minimizes waste from the initial design phase. This study aims to implement the zero waste concept in mini dress design by utilizing fabric scraps aesthetic accents. The method used is the Double Diamond Design Process, consisting of four phases: discover, define, develop, and deliver. The results show that fabric scraps can be creatively integrated into fashion design without compromising aesthetic value. The resulting mini dress design are not only efficient in material usage but also visually appealing and aligned with sustainability principles.

Review

This paper addresses a highly pertinent and critical issue within the contemporary fashion industry: textile waste. By focusing on the implementation of zero-waste principles in mini-dress design, specifically through the creative utilization of fabric scraps as aesthetic accents, the study offers a practical and commendable approach to sustainable fashion. The abstract clearly articulates the problem and positions the research as a valuable contribution to mitigating the environmental impact of textile production and consumption. A significant strength of this work lies in its clear objective and the practical application of sustainable design. The chosen methodology, the Double Diamond Design Process, is highly appropriate for a design-led study, providing a structured framework for innovation from discovery to delivery. This methodical approach likely ensures that the designs are not only conceptually sound but also well-executed, integrating fabric scraps in a manner that enhances rather than compromises aesthetic value. The promise of designs that are both materially efficient and visually appealing is particularly compelling. The findings, indicating that fabric scraps can be creatively integrated without sacrificing aesthetic appeal, underscore the potential for widespread adoption of zero-waste principles. This study provides a strong proof-of-concept for merging sustainability with high fashion, aligning with contemporary consumer demands for ethical products. While the abstract presents promising results, future research could explore the scalability of these designs, their commercial viability, and consumer acceptance across broader markets. Overall, this paper makes a valuable contribution to the field of sustainable fashion design, offering an inspiring blueprint for reducing waste through innovative and thoughtful design.

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