A Marxist Critique on Food as an Indicator of Wealth, Social Class and the Uses of Social Media
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Sabina Tillinger

A Marxist Critique on Food as an Indicator of Wealth, Social Class and the Uses of Social Media

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Introduction

A marxist critique on food as an indicator of wealth, social class and the uses of social media. Explore a Marxist critique of food as an indicator of wealth and social class. Analyze its portrayal on social media in Western capitalist society.

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Abstract

This paper discusses the idea of wealth indicators using following Marxist theories of social class within a capitalist society. This set of theories is used to discuss the modern use of social media and how modern Western culture presents food through a polished social media lens and how this is symbolism of social class indication. 


Review

This paper proposes a highly relevant and ambitious intersection of classical Marxist theory with contemporary digital culture, specifically focusing on the presentation of food as an indicator of wealth and social class via social media. The premise of applying established critical theories of social stratification within a capitalist framework to a modern, observable cultural phenomenon like curated food content online is particularly compelling. The abstract suggests a promising avenue for exploring how economic structures and class divisions manifest through symbolic consumption and representation in the digital sphere, offering a fresh lens on understanding status signaling and commodity fetishism in the 21st century. However, the brevity of the abstract leaves several critical areas open for further development and clarification within the full paper. To strengthen its "Marxist critique," the paper would benefit from a more explicit engagement with specific theoretical constructs (e.g., commodity fetishism, cultural capital, the role of ideology, or the labor involved in producing such content, even if it's unpaid aspirational labor). Furthermore, the methodology for analyzing "modern Western culture" and "social media" in this context needs to be clearly articulated. Is this a semiotic analysis of imagery, a discourse analysis of accompanying texts, or a broader critique of platform economics and influencer culture? Precisely defining how the "polished social media lens" functions as a "symbolism of social class indication" beyond mere aspirational marketing would significantly enhance the paper's analytical rigor. In conclusion, this paper holds substantial potential to make a meaningful contribution to both critical theory and the sociology of consumption and digital media. Its strength lies in its timely subject matter and the application of a robust theoretical framework. To achieve its full impact, the authors should ensure a precise engagement with specific Marxist concepts, a clear and well-defined methodology for analyzing social media content, and a nuanced discussion of how these representations contribute to, reinforce, or perhaps even challenge existing class structures. Successfully navigating these complexities will allow the paper to offer significant insights into the evolving dynamics of wealth, class, and cultural production in digitally mediated capitalist societies.


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